Tingying Dong
Ting trained at LAMDA and is a sound designer, composer, and theatre maker. She grew up in Beijing and studied in the Netherlands before moving to the UK.
She translates emotions and journeys of a story into sound and music. Her work is often fluid and detailed, with naturalistic and treated sound effects, electronic and acoustic sounding textures and instruments weaved together. She is interested in politically/socially focussed work, physical theatre, and process-led devising process, and likes to explore experimental, multi-disciplinary, and magical realistic forms.
Selected theatre credits:
The Crucible (National Theatre/Gielgud Theatre.
Content Sound Design); Black Superhero (Royal Court);
Watch On The Rhine (Donmar Warehouse);
The Beekeeper of Aleppo (Nottingham Playhouse/UK Tour);
My Son’s A Queer (But What Can You Do?) (Ambassadors Theatre/Garrick Theatre/Underbelly/Turbine Theatre. WhatsOnStage Award for Best Off West End Production);
The Breach, Folk (Hampstead Theatre);
War & Culture (New Diorama);
Klippies (Young Vic);
After The End, The Sun, the Moon, and the Stars (Theatre Royal Stratford East);
Scissors (Sheffield Theatres);
Ruckus (Summerhall/Southwark Playhouse);
Kathy and Stella Solve a Murder (Roundabout);
Tsunagu/Connect (Shoreditch Town Hall).
Her work as a creative collaborator and making sound and music includes Walking Cats (Vault Festival. Week 2 Origins Award); Imaginarium (Online Tour).
Pronouns: She/Her
Contact: dongtingying@hotmail.com
Website: Tingyingdong