Tingying Dong
Ting trained at LAMDA and is a sound designer, composer, and theatre maker. She grew up in Beijing and studied in the Netherlands before moving to the UK.
As sound designer/composer, theatre includes 1536 (Almeida Theatre); Titus Andronicus, Edward II (Royal Shakespeare Company); The Little Foxes, Klippies (Young Vic); London Tide, Dear Octopus (National Theatre); The Secret Garden, The Tempest (Regent’s Park Open Air Theatre); The Crucible (National Theatre/West End. The Stage Debut Award for Best Creative West End Debut); Lyonesse (West End); In The Ruins of the Big House (Factory International); Quiet Songs (Barbican); East Is South, Rock’n’Roll, The Breach, Folk (Hampstead Theatre); My Son’s A Queer (But What Can You Do?) (New York City Center/West End/UK Tour/Edinburgh Festival/Turbine Theatre. WhatsOnStage Award for Best Off West End Production); A Doll’s House, Scissors (Sheffield Theatres); Twine (Yard Theatre); Macbeth (ETT/Shakespeare North/International Tour); Black Superhero (Royal Court); Watch On The Rhine (Donmar Warehouse); The Beekeeper of Aleppo (Nottingham Playhouse/UK Tour); War & Culture (New Diorama); After The End, The Sun, the Moon, and the Stars (Theatre Royal Stratford East); A Christmas Carol (Nottingham Playhouse/Birmingham Rep/Alexandra Palace/BBC. Composer); Ruckus (Summerhall/Southwark Playhouse/UK Tour); Two Billion Beats (Orange Tree Theatre).
Her work as a creative collaborator and making sound and music includes Walking Cats (Vault Festival. Origins Award for Outstanding New Work);Imaginarium (Online Tour).
Radio composition includes Humane; BURP.
Short Film composition includes Medea/Worn; My Last Duchess.
Pronouns: She/Her
Contact: dongtingying@hotmail.com
Website: https://www.tingyingdong.com/