Training:
Hazel Holder studied MA Voice Studies at the Royal Central School of Speech and Drama, and is a voice and dialect coach and a performer.
Theatre Credits:
At the National: Death of England: Delroy, Death of England, Small Island, Nine Night, Barber Shop Chronicles, Pericles, Angels in America, Les Blancs and Ma Rainey’s Black Bottom.
Other theatre includes:
Death of a Black Man at Hampstead Theatre;
Uncle Vanya at the Harold Pinter;
Pass Over at The Kiln;
Death of a Salesman at the Piccadilly Theatre and The Young Vic;
Caroline, or Change for Chichester Festival Theatre at The Playhouse Theatre, Hampstead Theatre and Chichester;
Fairview, The Convert, The Mountaintop, The Emperor and Cuttin’ It (also at the Royal Court) at the Young Vic;
Richard II at the Sam Wannamaker Playhouse;
Typical at Soho Theatre;
Dreamgirls (Resident Director) at The Savoy;
Tina: The Tina Turner Musical at the Aldwych;
The Gift and Black Men Walking for Eclipse;
Guys and Dolls and Girls (also at Soho Theatre) for Talawa and at the Royal Exchange;
The Goat, or Who is Sylvia? at Theatre Royal Haymarket;
Ear for Eye, Poet in Da Corner, Grimly Handsome, Pigs & Dogs, Father Comes Home from the Wars at the Royal Court;
Our Lady of Kibeho at Royal & Derngate and Stratford Theatre East; Soul at Royal & Derngate and Hackney Empire;
Death of a Salesman at The Royal Exchange;
The Rolling Stone at The Royal Exchange and Orange Tree;
Leave Taking, F*ck the Polar Bears at Bush; Twighlight: LA – 1992, Eclipsed and The Rise and Shine of Comrade Fiasco at Gate, Notting Hill;
Little Shop of Horrors at Regents Park Open Air Theatre;
The Epic Adventure of Nhamo for tiata fahodzi.
Pronouns: She/Her
Contact: hazeljh@mac.com
Website: www.hazelholder.com